AREAS of INTEREST and SPECIALIZATION

Composition: Compositional techniques of acoustic, electro-acoustic and computer music, Interactive techniques, Classic/fixed electronic studio, mixed media, sound design etc…

Theory: Schenkerian analysis, Contrapuntal techniques from the renaissance to contemporary periods, Compositional and theoretical issues of Tonal and Post-tonal music

Digital/Computer Music: composition, sound design, mixing, editing, synthesis and notation, Software, interactive and algorithmic applications (Tassman, MAX/MSP, and CSound etc)

Ear-training: Teaching fixed and moveable “Do” systems: chromatic, tonal and modal

Other Teaching/Research Interests: digital and mixed-/multi-media, computer-aided research and instruction, and interactivity

Classical Guitar Performance

SERVICE / ADMINISTRATION

Boston Modern Orchestra Project (BMOP) Score Board. Presiding over restructuring.

Massachusetts Cultural Council Fellows/Finalists Concert: Director and curator, November, 22. 2014

BMOP Club Concerts: Electronic Music concert: Director and curator, March 12, 2013

Lydian String Quartet Commissioning Prize, 2012: Adjudicator

Rhode Island State Council on the Arts; Adjudicator; 2011 Music Composition Fellowship

BMOP Club Concerts: Director and curator, February 8, 2011

Schoenberg Residency Foundation and Schoenberg Residencies at Mödling, Austiria; President, Founder of Composer Residencies at Schonberg Haus*

Somerville Arts Council: Grant Selection Committee (music) (2008)

College Board AP Exam Reader in Music (2007, 2009)

Curator: Visiting artists “Interensemble” (Fall 2004) Berklee College of Music

Visiting Director: Brandeis Electro-Acoustic Music Studio (2004-05)

Director: 2001 Digital Polyphony: electronic music “open studios” for New England area colleges.

Assistant Director: Brandeis Electro-Acoustic Music Studio (1999-2001)

Director: New Music Brandeis; New Music concert series; Brandeis University (1999-2001)